GUCCI FW1997: SURVEILLANCE, SEDUCTION, AND THE MAKING OF A CULTURAL SHIFT

In the late 1990s, Mario Testino and Tom Ford formed a creative partnership that reshaped the visual language of fashion. Their work for Gucci wasn’t just about clothing; it was about atmosphere, desire, and control.
Fall/Winter 1997 arrived at a moment when the world was beginning to understand what it meant to be watched. “People had started to feel watched all the time,” Testino later recalled. “That gave me the idea to shoot a campaign that looked as though it had been captured on CCTV, a world where you’re never really alone.”
The result was one of the decade’s most striking campaigns. Stark stairwells, bare corridors, and tightly framed compositions replaced the traditional glamour of fashion imagery. The light was cold. The mood was tense. These weren’t promotional images; they were glimpses into a world on the edge of exposure.
At a time when fashion still chased gloss and perfection, Gucci FW97 did the opposite. It leaned into imperfection. The grain, the blur, the awkward angles all echoed a new aesthetic that felt voyeuristic yet cinematic. It looked like surveillance, but it was control, a reflection of how power and allure were shifting.
Casting was central. Ford had a clear sense of who he wanted, but as Testino has noted, it was about presence, not polish. The models don’t simply pose. They occupy space. Watched, but self-possessed. Observed, but in charge.










The campaign landed in a world already changing. Reality television, tabloid culture, and the early internet were fuelling a fascination with access and exposure. Testino and Ford caught that tension early. What they made wasn’t just a campaign, it was a signal.
Seen today, the images feel uncannily familiar. In a time defined by surveillance, self-archiving, and constant visibility, Gucci FW97 reads like a preview of the present. The idea of being watched is no longer metaphor; it’s everyday life.
And that’s the power of Testino’s vision. He doesn’t just photograph what fashion looks like; he captures what the world feels like just before it changes.
CREDITS: STYLIST: CARINE ROITFELD. MAKEUP: TOM PECHEUX. HAIR: MARC LOPEZ